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Bust of a Peasant

Tadeusz Baracz

  • Bust of a Peasant 1
  • Bust of a Peasant 2
  • Bust of a Peasant 3
  • Bust of a Peasant 4
  • Bust of a Peasant 5
  • Bust of a Peasant 6
  • Bust of a Peasant 7
  • Bust of a Peasant 1
  • Bust of a Peasant 2
  • Bust of a Peasant 3
  • Bust of a Peasant 4
  • Bust of a Peasant 5
  • Bust of a Peasant 6
  • Bust of a Peasant 7
Basic information
ID
С-I-25
Author
Tadeusz Baracz
Name
Bust of a Peasant
Date of creation
c.1879
Country
Austro-Hungarian Empire
Culture
Modern times Contemporary times
Technique
moulding
Material
plaster
Dimensions
41.5 x 23 x 16 cm (height x width x depth)
Additionally
Type
sculpture
Genre
portraiture
Plot
Portrait bust
Provenance
National Gallery of Lviv (until 1940)
Information about author
Author
Tadeusz Baracz
Author in the original
Tadeusz Barącz
Artist's lifetime
1849–1905
Country
Austrian Empire, Austro-Hungarian Empire
Biography
Tadeusz Baracz (24 March 1849, Lviv – 12 March 1905, Lviv) was a Polish sculptor of Armenian origin, one of the most famous sculptors in Lviv in the second half of the 19th century. He was the son of Jakub Baracz, the owner of the Krakow Hotel, and Teresa of the Truchlinski family. He studied at a cadet school in the Austrian town of Hainburg as his father planned a career in the army for his son. He later graduated from a real school in Lviv. He began his artistic training in 1868–1869 at the Krakow School of Fine Arts under Wladyslaw Luszkiewicz and Henryk Kosowski. He studied at the Munich Academy of Arts in the studio of Max Windmann (1869–1871). He continued his training in Florence in the studio of Augusto Rivalto (1872–1875). At the beginning of 1876, he returned to Lviv.
The sculptor's studio in the "Krakow" Hotel on Bernardynska Square (now Soborna Square) became a meeting place for photography enthusiasts. On 27 March 1891, a meeting of photography enthusiasts was held, which marked the beginning of the institutionalisation of their activities. Baracz's early works (until 1875) were in the late Romantic style, while his later works were realistic, neo-Renaissance and neo-Baroque. The artist's works show a synthesis of the traditions of the Munich and Viennese schools of sculpture, the latter having been integrated into Lviv thanks to a trip to Vienna in the second half of the 1870s and collaboration with the sculpture company of Julian Markowski, one of the brightest representatives of the Viennese school of sculpture.
He began to exhibit his works in Lviv while studying at the Munich Academy of Art. He participated in the annual exhibitions of the Society of Fine Arts (Towarzystwo przyjaciół sztuk pięknych we Lwowie – TPSP) (1874–1904). In 1891, he was awarded a prize at the International Exhibition in Berlin for his work "The Head of an Old Man". In 1893, he exhibited his works in Chicago (USA). In January 1895, he joined the "Committee of Experts" of the TPSP with S. Batowski, S. Dembicki, T. Popiel and J. Styka. In 1897–1900, he participated in the sculptural decoration of the Great City Theatre in Lviv (now Solomiia Krushelnytska Lviv State Academic Theatre of Opera and Ballet), several Lviv buildings, created many monumental monuments, portraits and tombstones, mostly in the Lychakiv cemetery. He also tried his hand at animal painting: in 1929, he exhibited his "Dog's Head" at one of the Lviv exhibitions. Famous are the heraldic lions created by T. Baracz: at the entrance to the Town Hall and on the grave of Konstanty Ordon in the Lychakiv cemetery.
The sculptor died in Lviv at the age of 56 after a long illness and was buried in the Lychakiv cemetery (Field 59). In 1905, a posthumous exhibition of Baracz's works was held, presenting 120 reliefs, sculptural groups, and busts. After Baracz's death, his brother Roman donated the sculptor's works to the City Gallery and Ossolineum Library. In 1940, during the nationalisation of private art collections, the Ossolinski collection was transferred to the Lviv Art Gallery (now Borys Voznytskyi Lviv National Art Gallery). The works by Tadeusz Baracz are kept in the National Museum in Krakow and the Tarnow Museum in Poland.
Object description
All the aspects characteristic of Romanticism – the affirmation of the idea of nation-building, the understanding of the national as the folk, and the development of the concept of cultural renewal by turning to folk sources – led to the spread of folk themes, including sculpture. An example is the "Bust of a Peasant" (1879) by T. Baracz – full of empathy and respectful attention to the portrait and its individual and typical folk features. The peculiarity of the figurative solution of the work is the establishment of the value of an ordinary folk appearance as an object of artistic understanding and reproduction. Thus, in T. Baracz's work, an old, simple face with a large, snub nose, a naive gaze and colourful folk costumes acquire aesthetic significance. The artist's departure from the academic style is evident in the painterly contours, the shimmering effects of light and shadow, and the free, almost impressionistic modelling of forms.
Inscriptions
On the back, on the base, a sticker with a seal: "Galerja / Narodowa / m. Lwowa" and "7".
Legal regulation
Borys Voznytskyi Lviv National Art Gallery

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