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Flying Mercury

Circle of Giovanni da Bologna (Giambologna)

  • Flying Mercury 1
  • Flying Mercury 2
  • Flying Mercury 3
  • Flying Mercury 4
  • Flying Mercury 5
  • Flying Mercury 6
  • Flying Mercury 7
  • Flying Mercury 1
  • Flying Mercury 2
  • Flying Mercury 3
  • Flying Mercury 4
  • Flying Mercury 5
  • Flying Mercury 6
  • Flying Mercury 7
Basic information
ID
С-I-170
Author
Circle of Giovanni da Bologna (Giambologna)
Name
Flying Mercury
Date of creation
early 17th c.
Country
Germany
Technique
moulding
Material
bronze
Dimensions
70 x 16 x 24 cm (height x width x depth)
Information about author
Author
Circle of Giovanni da Bologna (Giambologna)
Country
Italy
Biography
Giambologna / Giovanni da Bologna / Jean de Boulogne (1529, Douai, Flanders – 1608, Florence, Italy) was an Italian sculptor of Flemish origin. He worked in several cities in Italy, including Bologna, Rome, and Florence. He is a prominent representative of the Mannerist style. Giambologna became famous for his subtle sense of action and movement, as well as for his exquisite, differentiated manner of rendering surfaces. Among his best-known works is the Mercury (four versions), standing on one leg, supported by Zephyr (Aeolus).
Object description
One of four variants of the figure of Flying Mercury designed by Giambologna. This composition is a variant known from collections in the United States and Great Britain, as well as from the Louvre exhibition, and was attributed in the twenty-first century as a work by Hubert Gerhard, executed between 1610 and 1620. Mercury, the Roman god of commerce (ancient Greek Hermes), is depicted in flight, pointing his right hand to the sky (to Zeus). He is wearing a winged hat, a petasus, and winged sandals on his feet, which were supposed to give him speed. Instead of the caduceus present in most versions of the composition, he holds a scroll in his hand. Originally, the figure was placed on a vertical axis, symbolising the breath of the wind god Aeolus (or Zephyr), whose head served as the sculpture's base. Now the figure is mounted on a complexly shaped podium with a hexagonal base, which was made later, replacing Aeolus' head. Unlike Gerhardt's versions, this work is less detailed, and Mercury's face is not expressive, which suggests that it was likely produced in the master's workshop or circle. However, the sculpture vividly conveys the movement of the figure, which was characteristic of Gerhardt's own works and those of his German students.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery
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