UK
Back

Man and Woman from the Village of Collelungo in the Province of L’Aquila in Upper Abruzzo

Bartolomeo Pinelli

  • Man and Woman from the Village of Collelungo in the Province of L’Aquila in Upper Abruzzo 1
  • Man and Woman from the Village of Collelungo in the Province of L’Aquila in Upper Abruzzo 2
  • Man and Woman from the Village of Collelungo in the Province of L’Aquila in Upper Abruzzo 1
  • Man and Woman from the Village of Collelungo in the Province of L’Aquila in Upper Abruzzo 2
Basic information
ID
Г-IV-1714
Author
Bartolomeo Pinelli
Name
Man and Woman from the Village of Collelungo in the Province of L’Aquila in Upper Abruzzo
Date of creation
1816
Country
Holland
Technique
etching watercolour
Material
paper
Dimensions
10.3 x 16.3 cm (height x width)
Additionally
Type
graphic art
Genre
genre art
Provenance
Collection of Faina Tarashchanska (Lviv), 1966
Information about author
Author
Bartolomeo Pinelli
Author in the original
Bartolomeo Pinelli
Artist's lifetime
1781–1835
Country
Italy
Biography
Bartolomeo Pinelli (1781, Rome – 1835, ibid.) was an Italian painter, engraver, and sculptor. He was the son of the ceramist G. B. Pinelli. Bartolomeo was born in ​​the Trastevere district (over the Tiber River). He studied in Bologna and later at the Academy of Saint Luke in Rome. The artist attended the Academy of Felice Giani, an Italian painter of the Neoclassic style, from whom he adopted the drawing style. At the beginning of the nineteenth century, Pinelli took an interest in the engravings of the Renaissance, namely in the works by Marcantonio Raimondi, and started making etchings and lithographs out of his drawings. In 1809, Pinelli created his first series of watercolour etchings – Collection of Fifty Picturesque Costumes (Raccolta di Cinquanta Costumi Pittoreschi). The album was reissued in 1814 and 1815. In 1816, a new version of the album under the title New Collection of Fifty Picturesque Costumes (Nuova Raccolta di Cinquanta Costumi Pittoreschi incisi di acqua forte) was released. Most of the Lviv engravings are from this series. The central theme of the artist's work is genre scenes (Costumi), which he saw in Rome and Naples, as well as the provinces of Abruzzo and Molise. Pinelli's engravings are not only of artistic value but also carry important ethnographic information. In the 1820s and 1830s, the artist created drawings and engravings for poems by Torquato Tasso (1827–1829) and the novel "Don Quixote" (1834) by Miguel de Cervantes. One of Pinelli's famous series of drawings is "Seven Hills of Rome" (Sette colli di Roma) (1827–1830). The artist's works are housed in many Italian museums and collections of other countries.
Object description
The first version of the composition by B. Pinelli was issued in the album Raccolta di Cinquanta Costumi li più interessanti delle città, terre e paesi in provincie diverse del Regno di Napoli (Collection of Fifty Most Interesting Picturesque Costumes from Cities, Towns and Villages of Different Provinces of the Kingdom of Naples) published in Rome in 1814. The album was reissued later, in 1817. The Lviv composition is horizontal in contrast to the above-mentioned engraving in a square frame. In the foreground, a young woman with a basket stands with her back to the viewer, talking to a goatherd sitting on a stone near an old tree. A hornless goat is lying next to him. The woman is dressed in bright national clothing, depicted in sophisticated colours; a dress and skirt are embroidered with gold threads; she has a traditional Neapolitan headscarf on her head. A goatherd is dressed in bright clothes with a wide hat. Both the girl and the boy are wearing ciocie, light boots. The characters are painted with bright watercolours, with prevailing yellow, blue, and red. In the background, on a steep slope above the lake, there is a fragment of a building (it may be the town of Mascioni on the mountain lake Lago di Campotosto, the only large body of water in the province of L’Aquila).
Ciocia (Italian: ciocio, Neapolitan: la chiòchiera) is a traditional wicker footwear of the mountain people of central and southern Italy (Abruzzo, Marche, Basilicata, Terra di Lavoro, Molise and others), which partly resembles Ukrainian bast shoes (lychaky).
Inscriptions
In the lower right corner, there is the author's signature – Pinelli f. [fecit], and the date – 1816. In the centre of the engraving, under the image, is the work's title Uomo, e Donna del Paese di Collelungo, provicia Aquilla, Abruzzo Ultra. The number "15" is in the upper right corner above the image.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery

Other

Link copied